The Court of Ideas
A community-built outdoor theater in the Hill was an internationally-acclaimed experiment in community planning, and a space for local culture
In the late 1960s, Pittsburgh’s Hill District became the birthplace of an innovative architectural project. Spearheaded by visionary architect Troy West, this initiative sought to use architecture as a means of fostering social change in urban communities.
Troy West was no ordinary architect. After studying at Carnegie-Mellon University and working alongside renowned figures like Louis Kahn, West returned to Pittsburgh with a clear mission: to partner with disadvantaged communities in challenging the top-down approach often associated with urban development. His vision took shape in the Hill District through a project called Architecture 2001, which embraced inclusive and participatory design to rehabilitate the neighborhood.
Architecture 2001 brought together an eclectic and diverse team. In addition to architects, the group included a psychologist, a lawyer, and a carpenter who had honed his skills while incarcerated. They were supported by local youth and members of the community, all working toward a shared goal—to create a functional, inspiring space known as the "Court of Ideas" at 2001 Center Avenue. The team didn’t just build; they also provided vocational training in construction, offered rehabilitation programs for those struggling with drug addiction, and improved local housing conditions.
One of the most compelling success stories to emerge from the experiment was that of Charles ‘Chuck’ Dial. A former drug addict, Dial turned his life around through his involvement with the project. Initially hired as a construction supervisor, Dial also found stability, overcame his addiction, and became a role model for others in the community.
The Court of Ideas itself was an architectural experiment, featuring sloping geometric concrete plinths, forum-like spaces, and a series of mini-stages and seating areas—all covered in vibrant orange carpeting. According to project leader Dick Morton, community reactions during construction were mixed. “People came around to see that we had enough water, and kids came to watch with their dogs. But others would stand whole days and laugh. To them, it was a big joke. They were sure it would not work. Now, everyone wants to be part of it.”
Despite early skepticism, the Court of Ideas quickly became a cultural hub. It hosted poetry readings, political rallies, Christmas parties, and musical concerts featuring renowned artists like Art Blakey and Abbey Lincoln. Architects and designers from around the world visited the site, drawn to its innovative approach to public space and community engagement.
For residents of the Hill District, the Court of Ideas became a source of hope. Troy West emphasized the significance of this grassroots effort, stating, “The best part about this is that it’s being built from within. The people are doing it themselves.”
While today the Court of Ideas site is empty, its lessons about the value of community-driven design, collaboration, and inclusivity still remain, and offer practical insights for community leaders looking to create spaces that serve and uplift local residents.
